Akram Khan’s Giselle by ENB (again)

For the first time (in my memory) we hosted a screening in the studio. Lily went to an incredible effort to convert our meeting room into a cinema with the projector, comfy seats, snacks and beers.

Elsewhere, Mark had a bottle of wine in Devon and Nazma had the brochure to accompany her screening in Manchester.

Those in the studio screening agreed not to follow the classic ballet and theatre etiquette whilst watching. Through a combination of discussions during the performance, we were able to follow the narrative of heartbreak and betrayal. Even those that weren’t typically ballet fans were kept engaged by the impressive statement costumes and dynamic set.

By the second half we’d settled into the performance. The ghostly figures that surrounded Giselle felt mesmerising, with an overwhelming intensity and strength created by continuously performing on their toes. The abnormality of being on pointe enhanced the darkness.

After the screening, we met on Zoom to catch up and de-brief with remote members of the team. Nazma read us the synopsis from her 2016 brochure, and we were pleased to hear we’d understood the narrative.

Laura told us she’d recently seen a Kendrick Lamar concert with choreography that felt similar. We wondered whether Akram Kahn had been involved knowing he’s previously been involved with international events such as the London 2012 Closing Ceremony. Following some research it wasn’t him, although I love the idea of different worlds albeit in culture crossing.

Nazma and Laura are planning to see the next Akram Khan production Jungle Book (in person this time), at The Lowry in Manchester. That feels like a great mark of success from this Cog Night – being able to continue to enjoy and share culture as a team from around the country.