Popping-in?

We designed our studio; it's filled with light and music. There are multiple meeting rooms, a well stocked kitchen, and an indoor garden (with fishpond). Pop-in for tea and stay to use a spare desk for as long as you need.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Public transport

We’re next to Greenwich train and DLR station. We have a door right on the concourse but it’s different to our postal address.

From Greenwich rail platform

This video shows the route to take from the train that will arrive at Greenwich rail station from London Bridge.

From Greenwich DLR station

This video shows the route to take from the DLR that will arrive at Greenwich DLR station from Bank.

By car

If you have to come by car, we have a couple of parking spaces in front of our studio. Call ahead to make sure they’re free, and use our postcode (SE10 9QF) to guide you in.

Get in touch

We’d love to hear from you. Use whichever medium works best for you.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

New project enquiry

It's exciting to chat about potential new projects. We don't have a ‘sales’ team or a form to fill in. Call us or give us a little detail via email and we'll get straight back to you.

enquiry@cogdesign.com

Website support

If you're a client then you'll be best served by calling us or contacting us via Basecamp, otherwise you can use this dedicated email that reaches all of the digital team.

digital@cogdesign.com

Finance questions

This email hits the inboxes of the people who deal with our bookkeeping and finances.

accounts@cogdesign.com

Just want a chat?

Sometimes enquiries don't fall neatly under a heading, do they?

hello@cogdesign.com

Cultural Calendar

A round-up of recommendations and reviews, sent on the first Friday of each month, topped-off with a commissioned image from a talented new illustrator. Sign-up and tell your friends.

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Cog News

An irregular update of activity from our studio. Showing off about great new projects, announcements, job opportunities, that sort of thing. Sign-up and tell your friends.

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L’arlesiana at Opera Holland Park

L’arlesiana at Opera Holland Park

For our July’s Cog night we headed off to see the dress rehearsal of L’arlesiana at Opera Holland Park. Emily gives her take on the evening’s entertainment.

I can’t believe this is my second opera in a year (and my second in my lifetime). My first was in Venice to see Giuseppe’s, Verdi’s La Traviata and now I’m off to L’arlesiana. I was very interested to see how the experiences would compare. 

Travelling to west London on a hot Central line train is always an experience I try to avoid (it’s more humid than summer in Venice which is saying something). But once off, we picked up a couple of refreshing gins and took a walk through Holland Park which was lovely. It was the perfect way to start our evening as we walked into a clearing full of flowers in bloom.

The gardens in Holland Park

As we arrived at the Opera Holland Park canopy, their team were waiting to direct us to the box office, bars and pristine toilets (it’s not often a bathroom gets mentioned in a review).

Waiting in the outside lobby talk turned to the plot of L’arlesiana and the themes of jealousy, love and tragedy that we’d read about before coming. With an announcement made, to take our seats, we positioned ourselves in the middle of the auditorium. Already on stage was a large stone farmhouse with the City of London Sinfonia Orchestra (conducted by Dane Lam) nestled below.

As the lights dimmed the show began.

Jack, Anna and freelancer Paul couldn’t wait for the show to start

Watching the first two acts we were introduced to the protagonist Federico who had fallen in love with a women who was not all she seemed. As the opera continued and the plot thickened we were left anticipating a wedding which we expected to be a happy occasion.

After a quick break the final act started. The set had been changed and now had fairy lights illuminating the stage. 

The climax of the final act, for me, was the heartbreak of Federico’s mother, Rosa Mamai. Although in distress her song suggested a glimmer of hope that everything would be ok – of course this being opera, things never end the way we want. 

The stage was set for L’arlesiana

Opera Holland’s production of L’arlesiana was captivating. The use of digital screens to show the translations made it so easy to follow and the facilities available to us made the whole experience very enjoyable. 

We were lucky to be invited to this rehearsal – thanks to their team. I’m sure we’ll be back to see other performances in the season; it’s certainly much easier to get to than Venice.


Illustration by Laura Medlicott for our Cultural Calendar.