Our studio is filled with light and music.
There are multiple meeting rooms, a well stocked kitchen, and an indoor garden (with fishpond). Talk to us about access needs, environmental factors and any accommodations we might make to enhance your visit. Pop-in for tea and stay to use a spare desk for as long as you need.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

Public transport

We’re next to Greenwich train and DLR station. We have a door right on the concourse but it’s different to our postal address.

From Greenwich rail platform

This video shows the route to take from the train that will arrive at Greenwich rail station from London Bridge. There's a gentle slope next to the staircase.

From Greenwich DLR station

This video shows the route to take from the DLR that will arrive at Greenwich DLR station from Bank. There's a lift at the platform level if that's useful.

By car

If you have to come by car, we have a couple of parking spaces. We have a charging point that you are welcome to use if you have an electric car. Call ahead and we'll make sure the spaces are free. Use our postcode (SE10 9QF) to guide you in.

Get in touch

We’d love to hear from you. Use whichever medium works best for you.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

New project enquiry

It's exciting to chat about potential new projects. We don't have a ‘sales’ team or a form to fill in. Call us or give us a little detail via email and we'll get straight back to you.


Website support

If you're a client then you'll be best served by calling us or contacting us via ClickUp, otherwise you can use this dedicated email that reaches all of the digital team.


Finance questions

This email hits the inboxes of the people who deal with our bookkeeping and finances.


Just want a chat?

Sometimes enquiries don't fall neatly under a heading, do they?


Cultural Calendar

A round-up of recommendations and reviews, sent on the first Friday of each month, topped-off with a commissioned image from a talented new illustrator. Sign-up and tell your friends.

Sign me up Cultural Calendar

Cog News

An irregular update of activity from our studio. Showing off about great new projects, announcements, job opportunities, that sort of thing. Sign-up and tell your friends.

Sign me up Cog News

Flight of the Conchords at Soho Theatre

Flight of the Conchords at Soho Theatre

When stars of successful TV shows come back after 10 years it’s hard not to be cynical…. Would the Flight of the Conchords be making a welcome comeback or cold hard cash-in?

As big fans of the Conchords, several of the Cog team jumped at the chance to see the band’s comeback in the intimate setting of Soho Theatre.

As it’s been some years since the successful TV shows, I went into Soho Theatre excited, but expecting a run through of the hits, in preparation for their stadium tour. And we knew that, as a work in progress show, it might be a little rough around the edges.

There was palpable excitement in the room, a lot of chatter about the surprise nature of these preparation gigs. The audience clearly felt special to be in this intimate theatre compared to the big stadium gigs that were to follow on the main tour.

The stage was set with a broad range of instruments, Brett and Jermaine entered without fanfare, and Brett was confused about whether to sit at piano or guitar.

Straight away we were treated to lots of new material, a (pleasant) surprise from our expectations. They started by acknowledging their age and that song material had moved on from writing about dating and dancefloors to fatherhood and jaded life on the road. The new material still took odd turns, alongside these grown-up topics they moved from medieval courtship (featuring recorder jams) to seagull songwriters.

There were a good few old hits in the mix, and these were where we saw more stumbling. It’s clear they’ve put their efforts into the new material, rather than rehearsing the old, which has paid off as the songs were as funny as ever.

The banter helped take us back to their unpolished, dead pan feel. But when call-backs from what appeared awkward anecdotes were worked into a song later on, it was clear how this was all much more thoughtfully put together than the first impression.

All in all a brilliant show and a wonderful surprise to see so much new material in this intimate setting.