Popping-in?

Our studio is filled with light and music.
There are multiple meeting rooms, a well stocked kitchen, and an indoor garden (with fishpond). Talk to us about access needs, environmental factors and any accommodations we might make to enhance your visit. Pop-in for tea and stay to use a spare desk for as long as you need.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

020 8269 1800 [email protected]

Public transport

We’re next to Greenwich train and DLR station. We have a door right on the concourse but it’s different to our postal address. Find us via: what3words.com/hungry.means.author

From Greenwich rail platform

This video shows the route to take from the train that will arrive at Greenwich rail station from London Bridge. There's a gentle slope next to the staircase.

From Greenwich DLR station

This video shows the route to take from the DLR that will arrive at Greenwich DLR station from Bank. There's a lift at the platform level if that's useful.

By car

If you have to come by car, we have a couple of parking spaces. We have a charging point that you are welcome to use if you have an electric car. Call ahead and we'll make sure the spaces are free. Use our postcode (SE10 9QF) to guide you in.

Get in touch

We’d love to hear from you. Use whichever medium works best for you.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

020 8269 1800 [email protected]

New project enquiry

It's exciting to chat about potential new projects. We don't have a ‘sales’ team or a form to fill in. Call us or give us a little detail via email and we'll get straight back to you.

[email protected]

Website support

If you're a client then you'll be best served by calling us or contacting us via ClickUp, otherwise you can use this dedicated email that reaches all of the digital team.

[email protected]

Finance questions

This email hits the inboxes of the people who deal with our bookkeeping and finances.

[email protected]

Just want a chat?

Sometimes enquiries don't fall neatly under a heading, do they?

[email protected]

Cultural Calendar

A round-up of recommendations and reviews, sent on the first Friday of each month, topped-off with a commissioned image from a talented new illustrator. Sign-up and tell your friends.

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Cultural Calendar

Cog News

An irregular update of activity from our studio. Showing off about great new projects, announcements, job opportunities, that sort of thing. Sign-up and tell your friends.

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Cog News

Seduced: Art and Sex from Antiquity to Now at Barbican

Sat 20th October 2007

Michael Smith

Cog Nights Reviews

A huge and important romp through two millennia of sexy art. We were there for a late opening with naked performance pop-ups.

The promise of sex and drinks was enough to draw us to this groundbreaking exhibition at Barbican. Giant phalluses interspersed galleries full of bondage photography alongside ancient Chinese instructional diagrams, and illustrations from the Karma Sutra to the Joy of Sex.

The experience was enhanced (or perhaps just made more embarrassing) by nude performance art and explicit poetry read, naked from a high-chair.

300 works across two millennia, including Roman sculptures, Indian manuscripts, Japanese prints, Chinese watercolours, Renaissance and Baroque paintings and 19th century photography with modern and contemporary art.

Featured artists included Nobuyoshi Araki, Francis Bacon, Jeff Koons, Robert Mapplethorpe, Pablo Picasso, Rembrandt van Rijn and Andy Warhol.

I just wish I didn’t have to talk about the Japanese prints of octopus rape, with my colleagues, the next day.
Michael Smith

Standing in a room with life-sized, hyper-real images of bondage staring down on me and the people I share my working life with was peculiar; the writhing, naked performers on the floor took that to a new level.

Seduced was curated by Marina Wallace, Martin Kemp and Joanne Bernstein.

It was a significant and important collection of explicit art. Juxtaposing millennia of eroticism in a beautifully, sensitively curated space; it was truly fascinating.

I just wish I didn’t have to talk about the Japanese prints of octopus rape, with my colleagues, the next day.