Our studio is filled with light and music.
There are multiple meeting rooms, a well stocked kitchen, and an indoor garden (with fishpond). Talk to us about access needs, environmental factors and any accommodations we might make to enhance your visit. Pop-in for tea and stay to use a spare desk for as long as you need.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

Public transport

We’re next to Greenwich train and DLR station. We have a door right on the concourse but it’s different to our postal address.

From Greenwich rail platform

This video shows the route to take from the train that will arrive at Greenwich rail station from London Bridge. There's a gentle slope next to the staircase.

From Greenwich DLR station

This video shows the route to take from the DLR that will arrive at Greenwich DLR station from Bank. There's a lift at the platform level if that's useful.

By car

If you have to come by car, we have a couple of parking spaces. We have a charging point that you are welcome to use if you have an electric car. Call ahead and we'll make sure the spaces are free. Use our postcode (SE10 9QF) to guide you in.

Get in touch

We’d love to hear from you. Use whichever medium works best for you.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

New project enquiry

It's exciting to chat about potential new projects. We don't have a ‘sales’ team or a form to fill in. Call us or give us a little detail via email and we'll get straight back to you.


Website support

If you're a client then you'll be best served by calling us or contacting us via ClickUp, otherwise you can use this dedicated email that reaches all of the digital team.


Finance questions

This email hits the inboxes of the people who deal with our bookkeeping and finances.


Just want a chat?

Sometimes enquiries don't fall neatly under a heading, do they?


Cultural Calendar

A round-up of recommendations and reviews, sent on the first Friday of each month, topped-off with a commissioned image from a talented new illustrator. Sign-up and tell your friends.

Sign me up Cultural Calendar

Cog News

An irregular update of activity from our studio. Showing off about great new projects, announcements, job opportunities, that sort of thing. Sign-up and tell your friends.

Sign me up Cog News
Crystal Maze

Slick online booking for an immersive experience

The Crystal Maze Experience website


Bringing a much loved TV gameshow to life. A new website and smarter ticketing system for the UK’s most ambitious immersive team game venture.

The nature of our attraction means that we have quite a complex booking journey. Cog created a much cleaner, accessible and user friendly experience without compromising on the background requirements we need to run a high volume, theatrical attraction efficiently and effectively.
Andrew Adshead, Ticketing & Customer Experience Manager.

The Crystal Maze was cult classic TV show in the 90s. Contestants had to make their way through ‘zones’, performing challenges to win crystals. At the end of the maze, the team exchanged those crystals for time in The Crystal Dome; the fans would start and they would have to collect gold tokens to win a prize.

Now, thanks to Little Lion Entertainment, anyone can put a team together, try their luck in the four zones, and face the fans at The Crystal Maze LIVE Experience (in London and Manchester).

Landing page


We started our discovery process by taking a team trip to experience the London maze. We could not have loved it more. We were blown away by the amazing level of detail and theatricality, all brought to life by our guide, a dedicated Maze Master.

We also travelled to Manchester to meet team from Little Lion Entertainment, to find out more about their audiences and their current ticketing journey.

The Crystal Maze LIVE Experience

For January's Cog Night we played The Crystal Maze Live Experience. Anna gives her take on this unique attraction.

Cog Nights Reviews

We picked up on lots of ways the site needs to manage expectations, making sure audiences know how brilliant the experience is, but also the practicalities of how it will work and what they need to wear. Group visits are also really important. These bookers (usually one person on behalf of the group) need to know that everything will be taken care of; making this all work smoothly online would be vital.

Our experience, and other audience feedback, showed how important the Maze Masters are to people’s enjoyment. These are actors, each bringing their own character and charm. We knew we wanted to make them integral to the online experience too.

Anna setting up a workshop with Crystal Maze Manchester Anna setting up a workshop with Crystal Maze Manchester
Jen leading the workshop Jen leading the workshop
Visitor persona's created following the workshop Visitor persona's created following the workshop

A particular technical challenge

The Crystal Maze LIVE Experience is an attraction unlike any other; they have unique requirements when it comes to booking tickets online.

At our workshop, we learned a lot about the behaviour of group bookers, the need to be able to split parties across time slots, variable pricing and the practical logistics of how to fill slots close to each other.

It was clear that untangling the complex ticketing process would be key to a successful site.

With the previous site, there were multiple technical problems and issues of clarity. The team at Little Lion were particularly frustrated at how often bookers would give up on the website half way through and ring them instead.

From a technical perspective, they need to load a huge amount of data into the website. Loading that amount data can quickly overload the servers and crash or stall the site; that’s what was happening on their previous site.

Switching to the Spektrix platform would help with the practicalities, but it was clear to us that we’d need to create something entirely bespoke with the Spektrix API, to make their combinations of groups and slots work seamlessly for the audience, and to carefully handle the amount of data we loaded into the site each time it was needed.

Client meeting at the studio


Our key idea from the start was to bring the Maze Masters to the fore, reflecting the experience. They can be used both to create excitement and personality, and give useful details. We’d seen first hand how the charismatic actors make the experience really special.

Visually we had to find a careful balance. We all wanted the site to have the qualities of an online game but we also had to marry that with needing to maintain The Crystal Maze aesthetic.

And if we wanted to show the genuine excitement of being immersed in this experience, we’d need plenty of video.

Maze Master pop out Maze Master pop out
Review block Review block


We started looking at how to integrate Spektrix early, sketching out the various steps and pathways. We were particularly looking at whether booking should be by date, by group, or both, as we balanced how Spektrix would handle the multiple tickets.

We integrate Spektrix into lots of theatre and performance sites so we’ve developed a set of tools to make the process more efficient. But for The Crystal Maze, we knew we’d have to develop an entirely bespoke integration. Group bookings, timed slots, variable pricing and the packages were integral to our thinking.

Most importantly, for group bookings, we needed to be able to instantly check availability and fill unused slots, all within the site.


Despite the UK-wide Covid-19 lockdown, we launched the site in June 2020. Fortunately the site we’d built was flexible enough to incorporate the social distancing limitations the venue had adopted in order to reopen.

We were delighted that a few weeks after the site went live, The Crystal Maze LIVE Experience reopened, and their audience were able to book tickets smoothly and play the UK’s most ambitious immersive game experience.

We are so proud of the balance between excitement and functionality that we were able to achieve.

The customer response to the new journey has been overwhelmingly positive with a more than significant drop in customers requiring assistance during their purchase.
Andrew Adshead, Ticketing & Customer Experience Manager.
Booking path on Mobile device Booking path on Mobile device
Content Management System: Wordpress
Launched: June 2020