Popping-in?

Our studio is filled with light and music.
There are multiple meeting rooms, a well stocked kitchen, and an indoor garden (with fishpond). Talk to us about access needs, environmental factors and any accommodations we might make to enhance your visit. Pop-in for tea and stay to use a spare desk for as long as you need.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

Public transport

We’re next to Greenwich train and DLR station. We have a door right on the concourse but it’s different to our postal address. Find us via: what3words.com/hungry.means.author

From Greenwich rail platform

This video shows the route to take from the train that will arrive at Greenwich rail station from London Bridge. There's a gentle slope next to the staircase.

From Greenwich DLR station

This video shows the route to take from the DLR that will arrive at Greenwich DLR station from Bank. There's a lift at the platform level if that's useful.

By car

If you have to come by car, we have a couple of parking spaces. We have a charging point that you are welcome to use if you have an electric car. Call ahead and we'll make sure the spaces are free. Use our postcode (SE10 9QF) to guide you in.

Get in touch

We’d love to hear from you. Use whichever medium works best for you.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

New project enquiry

It's exciting to chat about potential new projects. We don't have a ‘sales’ team or a form to fill in. Call us or give us a little detail via email and we'll get straight back to you.

[email protected]

Website support

If you're a client then you'll be best served by calling us or contacting us via ClickUp, otherwise you can use this dedicated email that reaches all of the digital team.

[email protected]

Finance questions

This email hits the inboxes of the people who deal with our bookkeeping and finances.

[email protected]

Just want a chat?

Sometimes enquiries don't fall neatly under a heading, do they?

[email protected]

Cultural Calendar

A round-up of recommendations and reviews, sent on the first Friday of each month, topped-off with a commissioned image from a talented new illustrator. Sign-up and tell your friends.

Sign me up Cultural Calendar

Cog News

An irregular update of activity from our studio. Showing off about great new projects, announcements, job opportunities, that sort of thing. Sign-up and tell your friends.

Sign me up Cog News
The Place

A visual identity that will dance for life

The Place rebrand

Branding

The Place is a creative powerhouse for dance development, working across dance training, creation and performance. The organisation was initially looking to evolve their identity for their 50th anniversary, we took them on a journey to feeling confident in a completely new identity.

They came to us with a brief to help them tidy their visual identity and make sense of the ways they communicate their complex organisational structure as they entered their 50th anniversary year.

After some initial discussions we facilitated a workshop with all of the senior staff and faculty heads. The fun, collaborative, empathetic nature of the workshop made for an informal and hugely effective afternoon.

With everyone in the room, we were able to dispel some misconceptions and make some big decisions (with impact way beyond our work).

Our brief had been focused on marketing messages but it became clear that our thinking needed to be broader and to help The Place reposition itself in an international context and to provide the visual framework to help with that.

We were working to a tight timeframe so we worked concurrently on ‘positioning’ (what we stand for and what is our personality?) and helping with mission, vision and value propositions.

With the backing of decisions made in the workshop we were able to propose three optional organisational structures. They chose the most radical change, adopting The Place as a parent identity for all activity (where previously each had its own identity).

Our brief had been to tidy their logo so we pursued that option. But we also felt that they needed to signal a bigger change if the rebranding was to be successful.

So we proposed a number of different visual approaches, filling the walls of our studio as we did so.

Being able to work in this more flexible way gave us platform to engage their team in a broader discussion about their visual identity and their brand.

We knew they wouldn’t have the budget to fully implement a complete overhaul of all their communications, but we wanted to provide a framework so they could implement it gradually, using their in-house resources.

And we wanted to ensure that we thought from a digital-first perspective as we knew that a significant portion of their communication is via social media.

Rebranding an organisation like The Place was never going to be a simple task, but Anna and the Cog team guided us through with tact and eficiency. She built trust with our team which led us to bold solutions and a rebrand we are hugely proud of.
Caroline Schreiber, Director of Communications, The Place

In the end, their team chose the most radical route of all.

We redefined them, putting the emphasis on the definite article – they are The Place for dance in the UK – giving them a significant advantage when approaching international students, venues and producers.

We delivered a suite of digital assets and comprehensive brand guidelines so their team can easily produce communications using templates, or can turn up the metaphorical dial and create more bespoke work that remains on-brand.

And once the team at The Place had rolled out the brand, we celebrated with a trip to see a show.

Gary Clarke Company’s Wasteland at The Place

Our October Cog night took us to Gary Clarke Company’s ‘Wasteland’ at The Place. Ed gives his account of this...

Cog Nights Reviews

The confidence and simplicity of the new brand has been an effective way for The Place to mark their 50th year. It’s been applied flexibly to put dancers in the spotlight but it can also take centre stage when the moment is right.