Popping-in?

Our studio is filled with light and music.
There are multiple meeting rooms, a well stocked kitchen, and an indoor garden (with fishpond). Talk to us about access needs, environmental factors and any accommodations we might make to enhance your visit. Pop-in for tea and stay to use a spare desk for as long as you need.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

020 8269 1800 [email protected]

Public transport

We’re next to Greenwich train and DLR station. We have a door right on the concourse but it’s different to our postal address. Find us via: what3words.com/hungry.means.author

From Greenwich rail platform

This video shows the route to take from the train that will arrive at Greenwich rail station from London Bridge. There's a gentle slope next to the staircase.

From Greenwich DLR station

This video shows the route to take from the DLR that will arrive at Greenwich DLR station from Bank. There's a lift at the platform level if that's useful.

By car

If you have to come by car, we have a couple of parking spaces. We have a charging point that you are welcome to use if you have an electric car. Call ahead and we'll make sure the spaces are free. Use our postcode (SE10 9QF) to guide you in.

Get in touch

We’d love to hear from you. Use whichever medium works best for you.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

020 8269 1800 [email protected]

New project enquiry

It's exciting to chat about potential new projects. We don't have a ‘sales’ team or a form to fill in. Call us or give us a little detail via email and we'll get straight back to you.

[email protected]

Website support

If you're a client then you'll be best served by calling us or contacting us via ClickUp, otherwise you can use this dedicated email that reaches all of the digital team.

[email protected]

Finance questions

This email hits the inboxes of the people who deal with our bookkeeping and finances.

[email protected]

Just want a chat?

Sometimes enquiries don't fall neatly under a heading, do they?

[email protected]

Cultural Calendar

A round-up of recommendations and reviews, sent on the first Friday of each month, topped-off with a commissioned image from a talented new illustrator. Sign-up and tell your friends.

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Cultural Calendar

Cog News

An irregular update of activity from our studio. Showing off about great new projects, announcements, job opportunities, that sort of thing. Sign-up and tell your friends.

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Cog News

Edinburgh warm up at King’s Place

Fri 19th June 2009

Michael Smith

Cog Nights Reviews

Our Cog Night was a trip to swanky King’s Place to see a triple-bill of comedy warm-ups.

This was a warm-up for Edinburgh, a chance for established comedians to try out their material in from of an audience.

The event has been billed to take place in a relatively small room in King’s Place. But technical difficulties, or perhaps a desire to sell more tickets had moved it into the main concert hall. The hall isn’t huge but it was far from full (hardly the atmosphere you’ want if you were on stage).

James Hurst and Katrin Kerber

James Hurst and Katrin Kerber

Mike Davies and Sarah Trentham

Mike Davies and Sarah Trentham

The line-up for this intimidatingly cavernous space was all male: Tom Deacon: Indecisive; Russell Kane: Human Dressage; and Fergus Craig Still Watches Neighbours.

I vaguely remember Fergus Craig who’s show was clips from Neighbours. I remember it being cleverly constructed, like a university project about how to write and perform a winning Edinburgh show.

And I can’t remember much at all about Chortle Student Award winner Tom Deacon, other than him being keen to call on almost every trope of laddish stand-up. Not my thing but lots of people seemed to enjoy it.

But I do remember Russel Kane. Maybe his zeitgeist capturing act has bumped other memories from my brain.

His show was about the preening of modern man, the ambiguity of sexuality and the confusion it causes between the generations.

The way he contorted his entire body, becoming his father and delivering a monologue of confusion of disappointment and anger, was a wonder to behold. The winding anecdote that ends with his nan flinging open his bedroom door, made me physically recoil (sensing the truth in the story).

What a treat to see this Perrier winning show, titled Human Dressage, in its unpolished state.