Our studio is filled with light and music.
There are multiple meeting rooms, a well stocked kitchen, and an indoor garden (with fishpond). Talk to us about access needs, environmental factors and any accommodations we might make to enhance your visit. Pop-in for tea and stay to use a spare desk for as long as you need.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

Public transport

We’re next to Greenwich train and DLR station. We have a door right on the concourse but it’s different to our postal address.

From Greenwich rail platform

This video shows the route to take from the train that will arrive at Greenwich rail station from London Bridge. There's a gentle slope next to the staircase.

From Greenwich DLR station

This video shows the route to take from the DLR that will arrive at Greenwich DLR station from Bank. There's a lift at the platform level if that's useful.

By car

If you have to come by car, we have a couple of parking spaces. We have a charging point that you are welcome to use if you have an electric car. Call ahead and we'll make sure the spaces are free. Use our postcode (SE10 9QF) to guide you in.

Get in touch

We’d love to hear from you. Use whichever medium works best for you.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

New project enquiry

It's exciting to chat about potential new projects. We don't have a ‘sales’ team or a form to fill in. Call us or give us a little detail via email and we'll get straight back to you.


Website support

If you're a client then you'll be best served by calling us or contacting us via ClickUp, otherwise you can use this dedicated email that reaches all of the digital team.


Finance questions

This email hits the inboxes of the people who deal with our bookkeeping and finances.


Just want a chat?

Sometimes enquiries don't fall neatly under a heading, do they?


Cultural Calendar

A round-up of recommendations and reviews, sent on the first Friday of each month, topped-off with a commissioned image from a talented new illustrator. Sign-up and tell your friends.

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Cog News

An irregular update of activity from our studio. Showing off about great new projects, announcements, job opportunities, that sort of thing. Sign-up and tell your friends.

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Jon Savage in conversation with Michael Bracewell

Jon Savage in conversation with Michael Bracewell

As part of the hugely popular ‘David Bowie is’ exhibition; writer, broadcaster and journalist, Jon Savage, was joined by fellow writer Michael Bracewell to discuss the most important few decades of Bowie’s career to date, and the influence that period had on the rest of the music world.

We made our way through a few rooms of sculpture, up a flight of stairs or two and into the modestly sized, but well-furnished lecture theatre. Some seventies Bowie was already playing quietly in the background. Savage has been described as the definitive historian of Punk and is a hugely influential writer on many aspects of pop and youth culture. Although we were all aware of his work for the likes of NME, Melody Maker and The Face, interestingly, none of the team knew anything about the person behind the articles – so we were eager to put a face to the name.

A bit of friendly bickering on the subject added some humour to the evening

Our host Bracewell gave a brief introduction, and it soon became clear that the two were not only accomplished writers but also good friends. As all good friends do, they seemed to have plenty of contrasting opinions and a bit of friendly bickering on the subject, adding some humour to the evening. Savage moved quickly from one Bowie project to the next, strictly sticking to schedule for the one-hour time slot he had been allocated. With the discussion supported by some rare footage and photographs (including a rather sweet picture of a 16-year-old, Bowie-mad Sid Vicious), it was easy to engage with and enjoy.

Savage came across well and was an interesting character to listen to – although I was hoping for a few more anecdotes or behind the scenes stories. Unfortunately the discussion didn’t progress much further than a brief overview, but it did do a good job of setting the scene and putting Bowie’s work in to context. It certainly made me want to go and buy a ticket for the exhibition, it’s just a shame that it’s already completely sold out.