Our studio is filled with light and music.
There are multiple meeting rooms, a well stocked kitchen, and an indoor garden (with fishpond). Talk to us about access needs, environmental factors and any accommodations we might make to enhance your visit. Pop-in for tea and stay to use a spare desk for as long as you need.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

Public transport

We’re next to Greenwich train and DLR station. We have a door right on the concourse but it’s different to our postal address.

From Greenwich rail platform

This video shows the route to take from the train that will arrive at Greenwich rail station from London Bridge. There's a gentle slope next to the staircase.

From Greenwich DLR station

This video shows the route to take from the DLR that will arrive at Greenwich DLR station from Bank. There's a lift at the platform level if that's useful.

By car

If you have to come by car, we have a couple of parking spaces. We have a charging point that you are welcome to use if you have an electric car. Call ahead and we'll make sure the spaces are free. Use our postcode (SE10 9QF) to guide you in.

Get in touch

We’d love to hear from you. Use whichever medium works best for you.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

New project enquiry

It's exciting to chat about potential new projects. We don't have a ‘sales’ team or a form to fill in. Call us or give us a little detail via email and we'll get straight back to you.


Website support

If you're a client then you'll be best served by calling us or contacting us via ClickUp, otherwise you can use this dedicated email that reaches all of the digital team.


Finance questions

This email hits the inboxes of the people who deal with our bookkeeping and finances.


Just want a chat?

Sometimes enquiries don't fall neatly under a heading, do they?


Cultural Calendar

A round-up of recommendations and reviews, sent on the first Friday of each month, topped-off with a commissioned image from a talented new illustrator. Sign-up and tell your friends.

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Cog News

An irregular update of activity from our studio. Showing off about great new projects, announcements, job opportunities, that sort of thing. Sign-up and tell your friends.

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Hamish Muir at Typo Circle

Hamish Muir at Typo Circle

The Typographic Circle, a volunteer-led organisation that brings together anyone with an interest in design and typography, host monthly lectures by industry speakers. The final lecture of 2013 fell to Hamish Muir of 8vo fame.

Muir co-founded 8vo with Mark Holt and Simon Johnston in 1985. One year later they began to edit, design and publish the first of eight issues of ‘Octavo’, their highly influential ‘International journal of typography’, until it’s self-destruction in 1992.

… maybe I’m wrong and the nostalgia is all part of the appeal.

In this lecture ‘More madness than manifesto’ Muir aimed to take us from the starting points of the project, given the context of British design in the mid 1980s, through their attempts to balance expectations of the journal’s audience with appropriate form. I was also looking forward to the illustrated journey of hand-rendered mock-ups, as well as a rarely seen reconstruction of the (now obsolete) final issue, which was published as an interactive CD-ROM.

The lecture was indeed rich with images of scalpel-and-tape style mock-ups. Muir also highlighted the ambitions of a project with serious intent (and not merely a marketing tool), and then stated why 8vo, an unknown start-up, thought they could set themselves such a task.

We were informed, in great technical detail, of how the mock-ups related to the finished product and all of the processing required in between; photography; typesetting; reprographics and so on. The audience didn’t respond well and I sensed that there were very few people in the room that fully understood the context. There were interesting bits, but without the background that most of the audience required (many of them under-25), it was hard to fully engage with the material. Muir did attempt to ease the tension by interacting with the audience which, as always, was more difficult than he expected it to be.

I felt that I had just enough background knowledge to make the most of the tales Muir had to tell, but it felt like a struggle – it was very jargon-heavy. I felt like I wanted to know more about the thought behind the process, rather than the process itself – celebrating the ideals and the attitude of 8vo, rather than discussing the merits of using a scalpel rather than ‘doing it all on computer’ like we do today. But maybe I’m wrong and the nostalgia is all part of the appeal.