Popping-in?

Our studio is filled with light and music.
There are multiple meeting rooms, a well stocked kitchen, and an indoor garden (with fishpond). Talk to us about access needs, environmental factors and any accommodations we might make to enhance your visit. Pop-in for tea and stay to use a spare desk for as long as you need.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

Public transport

We’re next to Greenwich train and DLR station. We have a door right on the concourse but it’s different to our postal address.
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From Greenwich rail platform

This video shows the route to take from the train that will arrive at Greenwich rail station from London Bridge. There's a gentle slope next to the staircase.

From Greenwich DLR station

This video shows the route to take from the DLR that will arrive at Greenwich DLR station from Bank. There's a lift at the platform level if that's useful.

By car

If you have to come by car, we have a couple of parking spaces. We have a charging point that you are welcome to use if you have an electric car. Call ahead and we'll make sure the spaces are free. Use our postcode (SE10 9QF) to guide you in.

Get in touch

We’d love to hear from you. Use whichever medium works best for you.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

New project enquiry

It's exciting to chat about potential new projects. We don't have a ‘sales’ team or a form to fill in. Call us or give us a little detail via email and we'll get straight back to you.

enquiry@cogdesign.com

Website support

If you're a client then you'll be best served by calling us or contacting us via ClickUp, otherwise you can use this dedicated email that reaches all of the digital team.

digital@cogdesign.com

Finance questions

This email hits the inboxes of the people who deal with our bookkeeping and finances.

accounts@cogdesign.com

Just want a chat?

Sometimes enquiries don't fall neatly under a heading, do they?

hello@cogdesign.com

Cultural Calendar

A round-up of recommendations and reviews, sent on the first Friday of each month, topped-off with a commissioned image from a talented new illustrator. Sign-up and tell your friends.

Sign me up Cultural Calendar

Cog News

An irregular update of activity from our studio. Showing off about great new projects, announcements, job opportunities, that sort of thing. Sign-up and tell your friends.

Sign me up Cog News

Live-streaming: frequently asked FAQs

Live-streaming: frequently asked FAQs

Here are our top ten tips for writing the best FAQs for live-streamed events.

Live-streaming performances is a vital way to reach audiences at the moment.

The novelty is thrilling for some audiences, and anxiety-filled for others. In some cases, that small barrier is enough to stop some people from booking  altogether. You can address this by clearly setting expectations and making your audience feel as ease.

A list of frequently asked questions can be a useful starting point. It’s a central source of information that you can keep refining as you learn from each experience.

Based on our experience, here are our top suggestions for areas to cover when writing your lists.

1. What is it, exactly?

Be clear exactly what your event is. It’ll be obvious to you because you’ve been talking about it for weeks. But you need to be crystal clear to an external audience who is coming to it with potentially very little context.

The joy of digital live-streamed performances is that there are lots of different ways to present your work, and that variation is one of the things you need to clarify for your audience.

2. Can you see me?

People are used to coming to your ‘home’ but they aren’t used to you being in theirs. Audiences will want to know if you will be able to see or hear them; can they pop to the loo without disturbing you; do they need to get dressed?

Set expectations and be really clear what your audience can expect, and what you expect of them. For instance, we’ve recently attended shows on Zoom where the audience are encouraged to turn their cameras on, and shows where the audience is encouraged to join in (at fixed moments) and we’ve enjoyed live-streams which have felt more like watching a TV broadcast of a live event.

3. How do the tickets work?

Audiences are (usually) used to receiving a physical or digital ticket and showing that to gain admission to your venue. But streamed shows are different. Even if someone has booked tickets for other live-streamed events, your set-up is likely to be slightly different. Clarification is always helpful.

Be really clear about how they will receive access details and when access will be available. Will a link be emailed to them with their booking confirmation, or will they only be sent this a couple of hours before the event starts?

If the ticketing process is connected to a built-in paywall, as it is for live-streams using a CogPlayer, let your audience know that they just need to log-in with their usual username and password.

4. How do I get the most out of the show?

Have you designed your live-stream to be watched in a particular way? Is it best enjoyed with headphones on? Should it be watched in full-screen, or have you designed the experience to incorporate live comments and other features? Is there a pre-show talk, a post-show discussion or a live tweet-along (with a hashtag)?

Let your audience know what they need to do in order to watch your live-stream in the way that they’ll get the most out of it.

5. How will you meet access needs?

There are all sorts of ways to make your live-streamed performance more accessible. You should consider adding captions or a sign-language interpreter to your live-stream. Or you could add optional audio description.

Make sure you let your audience know what measures you’ve taken to make your event more accessible, and be clear about how they can activate these features.

6. Are there any trigger-warnings?

You have a duty of care to your audience (and your performers). It’s especially important to consider the context that you are in someone’s home: their safe space. If you might be touching on difficult topics, or subjects that might trigger reactions, be sure to include a warning.

Be especially mindful of all the usual areas where you’d usually including warnings: strobe-lighting, loud bangs, jump scares. And let people know if your show might include nudity, violence, offensive language and anything else that audiences would benefit from knowing about in advance.

7. Can I watch it on my telly?

Many audiences will have little experience of watching ‘broadcasts’ on anything other than their television. Explain how to connect from devices to televisions (there are many options, including using the Smart TV facilities that many people have).

Do it early enough that they can plan and maybe even order the extra cable they need, or to get their granddaughter to hook up the Chromecast kit the ordered.

8. I’m not tech-savvy, can you help me?

Beyond hooking up to the TV, some audiences will have even more basic needs. Will you be on hand to help with their needs, or could you be, in advance? If so, let people know; if not, let people know that and provide detailed instructions.

Make sure you offer detailed guides on how to do things like how to make the video full screen, mute and unmute the live-stream and adjust the volume. It may seem obvious to you but there’s no harm in explaining why you can’t pause the video, or what will happen if the internet connection goes down during the show.

9. What if things go wrong?

Sometimes things go wrong, especially on live events.

Your audience might be worried about missing out if there are technical difficulties.

Let them know how you’ll tell them about problems. Is there a live chat service, a phone number, a Twitter account or a dedicated support email address they can write to? If not, be clear about that too.

If something goes wrong during the livestream they’re attending, could they transfer their ticket to another night, or will the show be recorded and made available?

10. Can I watch it another time?

If you are recording the event, you might consider making that available as an alternative for the ‘live’ audiences. Some audiences can’t engage with the idea of a fixed start time and are happy to forgo the ‘live’ experience in favour of a start time that fits around them.

Of course your event might rely on the live nature of the event. Or your team may insist that the show is only available live.

If that’s the case then be clear about it. Everyone will appreciate the clarity.


Answering these questions in advance will help to manage your audiences expectations, and should make things smoother for your team if things do go wrong.

Many arts organisations have already put together some excellent FAQ pages.

Here are a few that we think are particularly good:

Old Vic: In Camera the Old Vic have made a very thorough list of what to expect from their In Camera season, including explanations for their tiered pricing system

Bournemouth Symphony Orchestra – BSO provide fantastic technical support during their weekly live-streams including a dedicated support email address and extensive set-up information

BFI Player – the BFI’s on-demand film platform has a well-written list of FAQs, complemented by a live chat function.

Nottingham Playhouse – Nottingham Playhouse send a clear, instructive email to digital ticket holders.

Let us know if you’d like to know more about how we’ve integrated live streaming (and other video and interactive) technology into our clients’ websites. Or visit the CogPlayer site to see the stand-alone, on-demand player we’ve build to integrate with Spektrix ticketing and CRM.