Our studio is filled with light and music.
There are multiple meeting rooms, a well stocked kitchen, and an indoor garden (with fishpond). Talk to us about access needs, environmental factors and any accommodations we might make to enhance your visit. Pop-in for tea and stay to use a spare desk for as long as you need.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

Public transport

We’re next to Greenwich train and DLR station. We have a door right on the concourse but it’s different to our postal address.

From Greenwich rail platform

This video shows the route to take from the train that will arrive at Greenwich rail station from London Bridge. There's a gentle slope next to the staircase.

From Greenwich DLR station

This video shows the route to take from the DLR that will arrive at Greenwich DLR station from Bank. There's a lift at the platform level if that's useful.

By car

If you have to come by car, we have a couple of parking spaces. We have a charging point that you are welcome to use if you have an electric car. Call ahead and we'll make sure the spaces are free. Use our postcode (SE10 9QF) to guide you in.

Get in touch

We’d love to hear from you. Use whichever medium works best for you.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

New project enquiry

It's exciting to chat about potential new projects. We don't have a ‘sales’ team or a form to fill in. Call us or give us a little detail via email and we'll get straight back to you.


Website support

If you're a client then you'll be best served by calling us or contacting us via ClickUp, otherwise you can use this dedicated email that reaches all of the digital team.


Finance questions

This email hits the inboxes of the people who deal with our bookkeeping and finances.


Just want a chat?

Sometimes enquiries don't fall neatly under a heading, do they?


Cultural Calendar

A round-up of recommendations and reviews, sent on the first Friday of each month, topped-off with a commissioned image from a talented new illustrator. Sign-up and tell your friends.

Sign me up Cultural Calendar

Cog News

An irregular update of activity from our studio. Showing off about great new projects, announcements, job opportunities, that sort of thing. Sign-up and tell your friends.

Sign me up Cog News

Time Share at Rich Mix

Time Share at Rich Mix

The Cog team went to the Rich Mix to watch the UK premiere of Time Share as part of the East End Film Festival.

Rich Mix is always a welcoming arts centre to enter. Scaling its many floors to reach our screening room offered us a quick glance through their exhibitions before a smiley usher (and the scent of warm popcorn) informed us that we had arrived.

Cog at Rich Mix

The East End Film Festival (EEFF) is one of the UK’s largest film festivals, this year reaching the adult age of eighteen. With a new and exciting lineup of films screening indoors and out, across the east end, it states the commendable aims of “removing barriers that deny people access, and delivering a showcase within an environment that gives everyone an equal chance to engage and participate.”

The director of tonight’s film, Sebastian Hofmann, won EEFF’s best film award only back in 2013 with his first feature film, Halley. So the director’s second film, premiering in the UK tonight, was given a warm introduction by the MC.

Time Share shot

The film centres on a father, Pedro, holidaying at a seemingly idyllic brand new, sunny mega-resort with his wife and young child. Here everything exceeds expectations and everyone wants to ensure your holiday is a dream come true. Quickly, this starts to crumble and a Kafkaesque bureaucratic struggle starts Pedro feeling powerless to the events and people that appear to collude against him.

Bridie Cheeseman's illustration for May's Cog Cultural Calendar

Bridie Cheeseman’s illustration for May’s Cog Cultural Calendar

Time Share’s horror is found in the confusion and disorientation that we share with Pedro as we follow him through the absurd and artificial. (As well as in shorts moments of painfully real bloodiness that call cringe inducing empathy from the audience).

The writing is sharp and succinct. The soundtrack is as chirpy and uncomfortable as the cinematography. Bright and synthetic like the hyperreality of an advert. All brilliantly fitting.

Time Share shot

Is Pedro paranoid – collating innocent happenings into a delusional vision of a grand conspiracy against him. Or is this one terrifyingly brutal marketing ploy? The questions are left unanswered.

Check out what else is on at The Rich Mix.

You can find out more about Time Share on IMDB.

Time Share poster

Illustration by Bridie Cheeseman for our Cultural Calendar.