Popping-in?

Our studio is filled with light and music.
There are multiple meeting rooms, a well stocked kitchen, and an indoor garden (with fishpond). Talk to us about access needs, environmental factors and any accommodations we might make to enhance your visit. Pop-in for tea and stay to use a spare desk for as long as you need.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

Public transport

We’re next to Greenwich train and DLR station. We have a door right on the concourse but it’s different to our postal address. Find us via: what3words.com/hungry.means.author

From Greenwich rail platform

This video shows the route to take from the train that will arrive at Greenwich rail station from London Bridge. There's a gentle slope next to the staircase.

From Greenwich DLR station

This video shows the route to take from the DLR that will arrive at Greenwich DLR station from Bank. There's a lift at the platform level if that's useful.

By car

If you have to come by car, we have a couple of parking spaces. We have a charging point that you are welcome to use if you have an electric car. Call ahead and we'll make sure the spaces are free. Use our postcode (SE10 9QF) to guide you in.

Get in touch

We’d love to hear from you. Use whichever medium works best for you.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

Cog is a Certified B Corporation

New project enquiry

It's exciting to chat about potential new projects. We don't have a ‘sales’ team or a form to fill in. Call us or give us a little detail via email and we'll get straight back to you.

[email protected]

Website support

If you're a client then you'll be best served by calling us or contacting us via ClickUp, otherwise you can use this dedicated email that reaches all of the digital team.

[email protected]

Finance questions

This email hits the inboxes of the people who deal with our bookkeeping and finances.

[email protected]

Just want a chat?

Sometimes enquiries don't fall neatly under a heading, do they?

[email protected]

Cultural Calendar

A round-up of recommendations and reviews, sent on the first Friday of each month, topped-off with a commissioned image from a talented new illustrator. Sign-up and tell your friends.

Sign me up Cultural Calendar

Cog News

An irregular update of activity from our studio. Showing off about great new projects, announcements, job opportunities, that sort of thing. Sign-up and tell your friends.

Sign me up Cog News

Intro at Design Museum London

Intro at Design Museum London

The most recent event of the ‘Long Lunch’ lecture series saw Julian House, of the Intro partnership, visit Design Museum London to reflect on a portfolio of work that spans over a decade.

We arrived at the Design Museum in just enough time to collect our free poster, screen-printed especially for this evening’s talk. A good start to a promising evening’s entertainment from ‘Long Lunch’ whose recent programme of talks include Moving Brands, Dixon Baxi and Bibliothèque.

I first became aware of House, who is particularly well-known for his work in the music industry, through the Terry Gilliam-esque ‘Dig Out Your Soul’ campaign for Oasis, while the older members of our team would have a stronger association with his work for Primal Scream.

The presentation quickly delved into an exciting back-catalogue, including XTRMNTR collateral as well as mid-nineties Stereolab artwork
Ross Granger

The presentation quickly delved into an exciting back-catalogue, including XTRMNTR collateral as well as mid-nineties Stereolab artwork, the latter described as ‘somewhere between Sesame Street and underground cinema’. This loose association between initial reference material and final artwork became the common thread running through the evening. Old paperback books and BBC test-cards, through to the work of various poets were all discussed and helped put the work into context, as did Julian’s description ‘not retro in that knowing way, but more about half remembered things coming together’.

Although the regular musing on ephemera went some way to give a better understanding of some stunning visuals, the presentation didn’t seem to elaborate much further. I think that we had all hoped for a little more direction, or at least an anecdote or two about some (in)famous clients. Unfortunately, as is often the case with a lecture of this nature, it didn’t feel much more than a casual browse through the portfolio of a peer. Not a bad portfolio to browse none-the-less.